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Yeni Kuti Declares ‘Wizkid Is My Friend’ Amid Escalating Feud with Seun Kuti

By Prosper Mene

Yeni Kuti, the eldest daughter of Afrobeat pioneer Fela Anikulapo-Kuti, has broken her silence on the heated online feud between her brother, Seun Kuti, and Grammy-winning superstar Wizkid, affectionately calling the singer her “padi” (friend) and expressing her deep affection for him despite the controversy.

The dispute erupted earlier this week when Seun Kuti accused Wizkid’s fanbase (known as Wizkid FC) of disrespecting their late father’s legacy by comparing Wizkid favorably to Fela or claiming superiority in influence. The exchange quickly escalated into personal insults on social media, with both artists trading barbs and drawing in fans, celebrities, and public figures.

Speaking on TVC’s morning show Your View on Thursday, Yeni Kuti emphasized her longstanding personal connection to Wizkid, recalling his early days in the music scene. “I love Wizkid a lot. You know, Wizkid is my padi now,” she said. “When two giants fight, it’s the grass that suffers. I refuse to enter some of the insults that they are hauling because I love Wizkid a lot. Wizkid is my padi now and my so friend. We have come a long way together. I remember when we started that shrine, he was a backup singer at the shrine during Felabration.”

Yeni expressed disappointment that the situation spiraled, particularly noting that Wizkid could have intervened earlier to curb escalating insults directed at Fela. “All the insults people have been hurling towards Fela, I wish he (Wizkid) had put a stop to it, but he didn’t,” she added. She also highlighted the broader impact, warning that the public spat reflects poorly on Nigeria rather than just the Kuti family. “You’re dirtying Nigeria, not Fela’s family,” she stated, urging peace and unity, especially with Fela’s legacy set to be celebrated at the upcoming Grammy Awards.

Yeni stressed her refusal to take sides aggressively, prioritizing her friendship with Wizkid and the shared history between him and the Kuti family through events like Felabration at the New Afrika Shrine. Her comments have caused mixed reactions online, with some praising her maturity and calls for peace, while others debate the origins of the conflict and loyalty to Fela’s heritage.

The feud continues to generate buzz across Nigerian entertainment circles, highlighting tensions around legacy, generational shifts in Afrobeat/Afropop, and fan-driven comparisons. Neither Wizkid nor Seun Kuti has publicly responded directly to Yeni’s statements as of press time.

 

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Toyin Abraham’s ‘Oversabi Aunty’ Becomes Fourth Highest-Grossing Nollywood Film of All Time

By Prosper Mene

Nollywood superstar Toyin Abraham has once again proven her box office prowess as her latest movie, Oversabi Aunty, rises to become the fourth highest-grossing Nigerian film ever in West African cinemas.

Distributed by FilmOne Entertainment, the comedy-drama has amassed an impressive ₦711.5 million in just 18 days since its theatrical release on December 19, 2025. This milestone displaces previous heavyweights like Funke Akindele’s Battle on Buka Street (₦668 million) and Omo Ghetto: The Saga (₦630 million), cementing Abraham’s status as one of Nollywood’s most bankable talents.

FilmOne celebrated the achievement on social media, stating: “In just 18 days, Oversabi Aunty grossed ₦711.5M, making it the 4th Highest Nollywood Film of all time in West Africa. Thank you to everyone for the love and support so far.”

The film follows Toun (played by Abraham), a zealous church usher whose well-intentioned but overbearing efforts to “fix” everyone’s problems lead to hilarious chaos, family drama, and vital life lessons. The story culminates in a chaotic wedding introduction that forces her to confront the consequences of her interference.

Boasting a star-studded cast including Mike Ezuruonye, Efe Irele, Jemima Osunde, Enioluwa Adeoluwa, Queen Nwokoye, Tana Adelana, and Ngozi Ezeonu, Oversabi Aunty has resonated deeply with audiences for its relatable portrayal of Nigerian family dynamics, religious fervor, and the classic “oversabi” stereotype.

Earlier milestones included crossing ₦382 million in 11 days and a strong opening weekend of over ₦100 million, marking it as one of 2025’s biggest festive season hits despite stiff competition.

Toyin Abraham, who both directed and produced the film, has a track record of commercial successes, including Alakada: Bad and Boujee (previously ranked fifth all-time) and titles like Malaika and Ijakumo. Fans and industry watchers praise her ability to blend humor, cultural commentary, and emotional depth.

Oversabi Aunty continues to screen in cinemas nationwide. With its rapid climb, analysts predict it could challenge even higher spots on the all-time list as the holiday season momentum persists.

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Beyoncé Officially Becomes a Billionaire, Forbes Reports

By Prosper Mene

Beyoncé Knowles-Carter has reached a new milestone: billionaire status. According to Forbes, the 44-year-old music icon has crossed the $1 billion net worth threshold, becoming only the fifth musician ever to achieve this feat.

She joins an elite group that includes her husband Jay-Z, Taylor Swift, Rihanna, and Bruce Springsteen.

Forbes attributes Beyoncé’s wealth primarily to her music empire, built through full control of her catalog and tours via her company, Parkwood Entertainment, founded in 2010. This in-house approach allows her to retain higher profits from productions, merchandising, and rights.

The surge came in recent years: Her 2023 Renaissance World Tour grossed nearly $600 million, one of the highest-earning tours ever.

Following that, her 2024 genre-shifting album Cowboy Carter, which won Album of the Year at the 2025 Grammys, led to the Cowboy Carter Tour, the world’s highest-grossing tour of 2025 with over $400 million in ticket sales and an additional $50 million in merchandise.

Additional boosts included a reported $50 million NFL Christmas halftime show in 2024 (streamed on Netflix), sponsorships like Levi’s commercials, and ventures such as her Cécred hair care line and SirDavis Whisky.

Forbes estimates Beyoncé earned $148 million pre-tax in 2025 alone, ranking her as the third-highest-paid musician of the year.

 

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Asake’s Christmas Reunion with Daughter Melts Hearts

By Prosper Mene

Afrobeats superstar Ahmed Ololade, popularly known as Asake, has captured the hearts of fans worldwide with a touching Christmas reunion with his 11-year-old daughter, Zeenat, and her mother, Adijat.

Viral videos and photos from Christmas Day show the “Mr. Money” singer sharing tender moments with his family in Lagos, including warm hugs, affectionate kisses on the cheek, and family poses. The heartwarming scenes come after a period of public family challenges earlier in 2025.

In March 2025, Adijat publicly accused Asake of neglecting Zeenat for several years following his rise to fame. She claimed to have supported him financially during his university days at Obafemi Awolowo University. Similar allegations emerged from Asake’s father regarding family support.

However, reports indicate Asake reconciled with his family, taking full responsibility for Zeenat and providing support. The Christmas reunion signals a positive turn, with fans praising the singer for prioritizing family amid his global success.

One fan commented online: “This is beautiful  family first, no matter what.” Another added: “Redemption looks good on Asake. Merry Christmas to them.

The reunion coincided with Asake’s triumphant homecoming performances in Lagos, including a headline slot at the Flytime Music Festival.

As the festive season continues, this story serves as a reminder of forgiveness and reconciliation during the holidays.

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Shenseea Set to Light Up Lagos This Detty December with Cheeky Request for a “Rich Man”

By Prosper Mene

Jamaican dancehall sensation Shenseea has sent social media into a frenzy with her playful announcement that she’s heading to Lagos for the iconic Detty December festivities and she’s got a hilarious shopping list for her Nigerian fans.

In a viral video post, the “Blessed” hitmaker addressed her “Naija people” directly: “My Naija people, I dey come to Lagos for Detty December. Bring me gold. Bring me frankincense. Bring me a man.” With a wink and a laugh, she emphasized her top request: a rich one.

The cheeky biblical twist, referencing the gifts of the Magi but swapping myrrh for a wealthy suitor, has sparked thousands of reactions online, with Nigerians flooding her comments with jokes, invitations, and even “applications” from eligible bachelors.

Shenseea, known for her bold lyrics and electrifying performances, joins a star-studded lineup of international artists flocking to Lagos this festive season. Detty December, the month-long explosion of concerts, parties, beach raves, and nightlife, has become a global phenomenon, drawing diaspora Nigerians and tourists alike to the vibrant city.

This year, Lagos is buzzing more than ever with events like Flytime Fest, Livespot’s Detty December Fest, and headline shows from artists including Rick Ross, Gunna, and local Afrobeats kings. Shenseea’s arrival adds a dancehall flair to the mix, promising high-energy vibes amid the non-stop parties.

Fans are already speculating about potential performances or surprise appearances, given her history of collaborations with Afrobeats stars. Whether she’s here to perform or just to “detty” the season her way, one thing’s clear: Lagos is ready to roll out the red carpet and perhaps a few eligible rich men.

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CAN Slams Nollywood Film ‘A Very Dirty Christmas’, Demands Apology from Producer Ini Edo

By Prosper Mene 

The Christian Association of Nigeria (CAN) has strongly condemned the title of the newly released Nollywood movie A Very Dirty Christmas, describing it as “offensive, insensitive, and disrespectful” to the Christian faith.

In a statement issued on Wednesday by CAN President, Archbishop Daniel Okoh, the association expressed deep concern over the use of the word “dirty” in connection with Christmas, a season that commemorates the birth of Jesus Christ and symbolises purity, peace, love, and redemption.

“Linking such a holy celebration with the word ‘dirty’ diminishes its spiritual meaning and reduces a solemn religious observance to something crude and sensational,” the statement read.

CAN emphasised that while it supports creative freedom in the film industry, such expression must be exercised with responsibility and sensitivity, especially in Nigeria’s multi-religious society.

The body questioned the approval process, calling on the National Film and Video Censors Board (NFVCB) to explain how the title was cleared for public exhibition during the Christmas season. It also urged Nollywood stakeholders, including the Actors Guild of Nigeria, to establish clearer guidelines on the use of religious themes.

Specifically addressing the film’s producer, acclaimed actress Ini Edo, CAN urged her to “show sensitivity” to the concerns raised by the Christian community, reconsider the title, and issue a public apology.

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Actress Regina Daniels Opens Up: “My Mum Warned Me, But I’m Ashamed I Fell in Love”

By Prosper Mene 

Nollywood actress Regina Daniels has confessed to ignoring her mother’s heartfelt warnings about love, only to find herself grappling with deep regret. The 24-year-old star, known for her roles in films like Plantain Boy and The Royal House of Ozubulu, shared her story in an exclusive interview, baring her soul about the pitfalls of young romance.

Daniels, who married billionaire businessman Ned Nwoko in 2019 at the age of 18, has long been a figure of public fascination, her whirlwind romance with the 63-year-old politician sparking debates on age gaps, power dynamics, and the pressures of fame. But in a candid sit-down with Vanguard Entertainment on Tuesday, the actress peeled back the layers of her fairy-tale facade, admitting that her mother’s intuition was spot on.

“My mum warned me,” Daniels said, her voice cracking as she recounted the crucial conversations that preceded her decision to tie the knot. “She saw things I was too blinded by love to notice, the red flags, the imbalances, the way it could change everything. But I was young, headstrong, and convinced it was destiny. Now, years in, I’m ashamed of how I fell so hard, so fast, without listening.”

The confession comes amid a string of  social media posts from Daniels over the past month, including a now-viral Instagram story featuring a broken heart emoji overlaid on a wedding photo, captioned simply, “Regrets in the rearview.” Fans had speculated wildly, from marital woes to career burnout but Daniels clarified that her remorse comes not from malice or betrayal, but from the sobering clarity of hindsight.

“I don’t blame anyone but myself,” she continued, wiping away tears. “Love makes fools of us all, especially when you’re in the spotlight and every move is magnified. Mum was protecting me from losing pieces of myself, and I wish I’d heeded her. But shame doesn’t mean defeat; it’s a teacher. I’m learning, growing, and reclaiming my story.”

Daniels’ mother, Rita Daniels, a veteran actress and producer, has been a vocal supporter in the family’s public narrative, often sharing glimpses of their bond on social media. Sources close to the family tell disclosed that Rita’s warnings were rooted in her own experiences navigating the cutthroat world of entertainment and high-profile relationships. “Rita always says love should lift you, not weigh you down,” one insider revealed. “She saw the weight early on.”

The actress, who shares two young sons with Nwoko, emphasized that her marriage remains intact, though she hinted at ongoing “conversations” about boundaries and personal space. “We’re human, ups, downs, all of it. But this isn’t about ending chapters; it’s about writing better ones. To every young girl out there: Listen to your mum. Love is beautiful, but wisdom is eternal.”

Nollywood has rallied around Daniels in the wake of her disclosure. Fellow stars like Genevieve Nnaji and Omotola Jalade Ekeinde flooded her comments with messages of solidarity, with Nnaji posting, “You’ve got the strength of queens, sis. Healing starts with honesty. ❤️” On X (formerly Twitter), the hashtag #ReginaDanielsConfession trended nationwide, sparking a broader dialogue on maternal advice, celebrity vulnerability, and the myth of the perfect union.

Daniels, ever the resilient force, ended the interview on a note of empowerment. “I’m not ashamed of loving, I’m ashamed of not loving myself enough first. But that’s changing. Watch this space.”

As the dust settles, one thing is clear: Regina Daniels’ unfiltered truth is reminding us all that even stars stumble and rise by the light of hard-won lessons.

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A Stylist’s Chair and a Thousand Stories: How Debbie’s Salon Captures the Heart of Everyday Life

By Azeez Disu

The axiom ‘A single stick may smoke, but it will not burn’ speaks volumes about the importance of community and shared spaces where burdens are lightened and life’s deepest secrets are often unveiled. In contemporary Lagos, such a communal stage exists not in a marketplace or village square, but within the vibrant, often chaotic, embrace of neighbourhood beauty salons.

This reality, rich with humour, conflict, and profound human connection, forms the compelling foundation of the newest Nollywood sensation, Debbie’s Salon: The Series. The premiere, a dazzling event that illuminated the cultural heart of Lekki, was far more than a simple launch; it was a reaffirmation of the salon’s vital role as the storyteller of the modern Nigerian experience—a place where real life is dramatised, polished, and served up with a side of ‘tea’.

 

The Night the Drama Began: A Premiere for the Ages

The atmosphere at Nile Cinemas in Lekki, Lagos, on 13 October 2025, was electric. The air buzzed with the distinctive energy of a city eagerly anticipating its next obsession. The premiere of Debbie’s Salon: The Series was a star-studded gala, attracting Nollywood’s finest, including icons such as Funke Akindele and Stan Nze, whose red carpet appearances added immense gravitas. The night was enlivened by captivating musical performances and a keynote speech that set the tone for a series expected to be both reflective and riotously entertaining.

The event marked the culmination of a ‘long journey,’ as Charles Lenny, who portrays Jamal, noted. The anticipation was palpable, especially among those involved in the production. Guests, dressed in exquisite attire, eagerly awaited the outcome of months of dedication. One enthusiastic guest remarked that their expectations were twofold: to enjoy ‘good belly laughs’ and to witness ‘a little bit of drama’.

The Salon: A Melting Pot of Nigerian Society

Debbie’s Salon is positioned as a family comedy-drama set in a hair salon in Lekki, Lagos State. Yet, its physical location is merely a vessel for a much deeper narrative. The salon, as described by the series creators, serves as a ‘melting pot’ for all kinds of human experiences.

Airing on Africa Magic Family, the series aims to be universally relatable. Whether viewers are part of Gen Z, Millennials, or the Baby Boomers, ‘everybody has a story to tell’. The salon is depicted not just as a place for hair transformations but as ‘a stage where lives are transformed—one hair at a time,’ as Yinka Adebayo, Executive Producer, explains.

Amidst the humming dryers and the scent of chemical treatments, ‘the darnest things happen’. The show promises a heady mix of ‘fun, drama, chaos’, with moral lessons woven throughout—ensuring ‘there’s something for everyone’. The narrative structure is designed to keep viewers guessing; as one commentator observed, ‘you might think you know how it’s going to end, and then something just blows you away’.

This storytelling power draws on an ancient wisdom: ‘If you are not afraid of the wind, why are you wearing a long dress?’ The series explores the hidden truths of daily life—those vulnerable secrets people often keep concealed.

The Vision of the Production Team: A Dream Realised

Behind the scenes, the series boasts a talented production team, including Producer Debbie Odutayo, and Executive Producers Yinka Adebayo and Greg Odutayo.

Their aim is to reflect the complexities of contemporary Nigerian society. The series showcases ‘an engaging storyline’ that centres on ‘our daily lives and the things people hide’, exposing these secrets within the salon’s vibrant environment.

 

A Gallery of Characters: The Heart of the Salon

The soul of Debbie’s Salon lies in its diverse and dynamic cast of characters, each bringing their unique flavour to the narrative.

For example, Lilian is portrayed as ‘a very smart young lady’ who ‘can be a bit of a handful at times’. Jamal is a character many viewers will love for his charm. Carol offers a softer, more reserved counterpoint to the impending chaos—‘she’s very gentle and prefers to stay out of the fight,’ explains the series’ producer. In contrast, Blessing is the fiery spirit of the salon. ‘Blessing is chaotic, dramatic, and the life of the party,’ the producer adds.

The series also captures emotional depth through characters like Adola, a ‘typical body’ who is ‘also very talented’. Her mistakes primarily stem from having ‘had a hard life’. Debbie’s Salon ensures even flawed characters are rooted in relatable vulnerabilities, reminding us that ‘the tears shed today will give way to sunshine tomorrow’.

Among the most complex figures is Alex—described as ‘interesting’, ‘intelligent’, and ‘vulnerable’.

Why We Are Watching: Authenticity in Action

A recurring theme throughout the premiere was the genuine nature of the drama. This isn’t fabricated melodrama; as host Sam Dandy declared, it is ‘a reflection of Nigerian society’. 

One guest eloquently expressed the show’s promise of unexpected twists: ‘You will relate to someone in the series—whether they’re Gen Z, Millennials, or Boomers.’ The ultimate reward, according to cast members reunited at the event, is the sense of community forged during filming. The actor playing Blessing shared that ‘the most exciting part was the friends I made,’ adding, ‘I miss those memories and I’m here to recreate them.’

Debbie’s Salon demonstrates that while conversations and consequences may be dramatic—bordering on chaos—the series remains grounded in lessons and family values.

 

The Verdict: Where to Find the Drama

The series airs Monday to Friday at 9:00 p.m. on Africa Magic Family. The message from the creators is clear: ‘Sit back, relax, and enjoy the show.’

The night’s sentiment was captured perfectly by Sam Dandy, who summed up the anticipation: ‘Debbie’s Salon is a reflection of Nigerian society—you’ll see yourself in it. If you love drama, this is where you want to be.’

Debbie’s Salon promises to be the must-watch series of the season—a captivating showcase of human stories that reminds us that sometimes, the most theatrical stage in Lagos is simply a stylist’s chair.

 

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Wordsofazia Unveils ‘Modern Wihegou’. A Spiritually-Rich Debut EP Rooted In Ancestral Memory And African Womanhood

’Listen Here | Watch Here | EP Release Date: July 11, 2025

With the release of her debut EP Modern Wihegou, Ivorian-born storyteller and experimental jazz artist wordsofAzia steps fully into her voice; one shaped by ancestral echoes, matriarchal lineage, and a deep spiritual journey that spans continents.
Currently based between Paris, London, and Abidjan, wordsofAzia draws from the
Bhété oral tradition of her people in Ivory Coast, weaving together spoken word, jazz, ambient textures, and indigenous rhythms. The result is a body of work that feels both ancient and futuristic, deeply rooted yet fearlessly forward.

“Each song is a dialogue with the women who walked before me – my grandmothers, my mother, my ancestors. I am their echo,” says Azia.

Created across Dakar, Paris, London, and Abidjan using her portable studio setup, Modern Wihegou is an intimate, nomadic creation. The project was mixed and mastered by UK-based sound engineer Eliade Krön, and features tape recordings, vocal samples from her mother and grandmother, and layers of minimalist percussion and ambient synths.

From the soul-stirring track Lagô, written in Dakar and inspired by prayer, to voice notes passed down through generations, Modern Wihegou is a sonic ritual. It’s music for stillness. For walking. For lighting a candle. For listening not just with ears, but with the spirit.

“The music is instinctive,” Azia shares. “Sometimes I start with one instrument, other times with my mother’s voice, or an archive of my grandmother singing. I’m building bridges, between generations, between worlds.”

 


About wordsofAzia | Socials: @wordsofazia (IG / TikTok)

Born in Ivory Coast and raised in Paris, wordsofAzia is a multidisciplinary artist blending music, spoken word, and visual storytelling to explore feminine divinity, ancestral power, and African identity. Her work lives at the intersection of Alternative Jazz, Afrofuturism, and oral tradition, resonating with audiences seeking depth, healing, and cultural immersion.
Visually, her work evokes the spirit of royalty and spiritual symbolism. Sonically, she lives in the same world as Mayra Andrade, Asa, Fatoumata Diawara, Blick Bassy, The Cavemen, and Kokoroko.

Genre: AfroJazz | Alternative Jazz | Spoken Word | Indigenous Fusion | World Music
For media inquiries, interviews, or further press materials, please contact woa@yaaas.co

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Nigerian Women in Nollywood Shine as “My Father’s Shadow” Heads to Cannes 2025

By Prosper Mene, April 14, 2025

Excitement showed across Nigeria’s creative scene as online conversations lit up with pride for women in the arts, particularly those shaping Nollywood’s bright future. At the heart of the buzz was “My Father’s Shadow,” a groundbreaking film by Akinola Davies Jr., which has earned a historic spot in the 2025 Cannes Film Festival’s Official Selection. The milestone sparked widespread celebration, with many spotlighting the vital role Nigerian women are playing in elevating the country’s film industry on the global stage.

Social media platforms buzzed with praise for Nollywood’s female trailblazers, producers, writers, actors, and directors who are pushing boundaries and telling authentic Nigerian stories. Funmbi Ogunbanwo, the film’s co-producer and CEO of Fatherland Productions, was a point of admiration for her work in bringing “My Father’s Shadow” to life. The film, a deeply personal drama set against the backdrop of Nigeria’s 1993 presidential election, weaves together Yoruba, Pidgin, and the vibrant streets of Lagos and Ibadan, resonating with audiences for its cultural authenticity.

“Women like Funmbi are showing the world what Nigerian creativity can do,” one online post read, capturing the sentiment of many who see this Cannes selection as a win for female filmmakers. Discussions cited how women are not only starring in Nollywood’s stories but also steering its direction, crafting narratives that reflect Nigeria’s rich heritage and complex realities. From Uzoamaka Aniunoh’s powerful performance in the film to the countless women behind the scenes, the contributions of Nigeria’s female talent were front and center.

For many, this moment feels like a turning point, a chance for Nigerian women to claim their space in global cinema. “Our women are telling stories that matter, and the world is finally listening,” another fan shared online, summing up the pride swelling across the nation.

Come Cannes 2025, from May 13 to 24, Nigeria’s creative community is rallying behind “My Father’s Shadow” and the women helping make it a reality. Their work is a reminder that Nollywood’s heart beats strong, driven by the vision and resilience of its female storytellers, ready to captivate audiences worldwide.

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